Every feature

You know the work is worth more than one fee

Everyone who designed, built, and sold a property has a reason to license your photos and film of it, and that is as true of an office, a hotel or a restaurant as of a house. On a commercial building Resid looks for the architect, the general contractor, the owner or developer, the interior designer, the engineer, and the operator or tenant. But collecting on any of it means hunting down the right contacts, writing email after email by hand, and guessing what to charge every time. So most of it never happens.

The whole cycle, step by step

How a shoot becomes recurring revenue

001.
Add a property you have shot
A residential or a commercial project. The address starts the search: the moment you add it, the property goes looking on its own for everyone connected to it, the architect, builder, developer and designer, plus the product and material brands installed on the job, then finds how to reach each of them. Upload a photo from your archive and Resid finds the appliance and fixture brands right in the image. Your first three scans are free on any plan; Pro makes it unlimited. The whole buyer list, with contacts, laid out for you, so you never leave the app to hunt down an email.
002.
Price each license with the calculator
For every buyer, the calculator recommends a fee from real licensing data across top photographers and agencies, tuned to who is buying and how they'll use it. No more guessing, and no more underpricing.
003.
Send outreach in your voice
Resid drafts two versions of a warm, role-aware licensing email in your voice, so a builder hears "the home you built" on a house and "the project you built" on a commercial job, and an architect "the building you designed." You pick the one you like, add your own signature, and send it from your own inbox, so every reply comes straight back to you. Busy people miss emails, so if you want it, Resid sends a polite nudge on day four and again on day ten, in the same thread, and stops the moment they pay, or when you mark that they replied. When the thread stays quiet, Resid writes the same ask as a direct message and as a text for you to send by hand, and records the touch when you say you sent it.
004.
They select, pay, and get delivery
Each buyer opens a private, branded Resid gallery and selects what they want. Film plays right there, behind the same email gate as the photographs, so nobody leaves for a third-party link, and they can select the exact cuts they need, the master, the thirty, the vertical, and leave a note on the exact second. The full-resolution files and films release the moment they pay. A license agreement is generated naming the exact images or cuts it covers, carrying its own reference number so either side can quote it later, and recording that the buyer accepted the terms by paying. After the first payment, Resid emails them a client portal for the licenses they hold with you: the files, the agreement, a later quote, and Renew this license when that term is up. Every dollar lands in a ledger you can hand your accountant.
005.
The term ends, and it renews
Every license has an end date, and Resid watches it so you do not have to. Thirty days before the term runs out, and again at seven, Resid drafts the buyer a renewal offer with the same scope and a fresh agreement, priced from the original. Approve it from your Outbox, or turn on Auto renew reminders for that license with Gmail connected and it goes out from your own inbox without you. They can also press Renew this license on the client portal Resid emailed them. The second year of a license is the part most photographers never collect, because it depends on remembering. This is the step that makes one shoot recurring rather than one-off.
Finding the buyers
Every room is full of buyers

Knowing the company is the easy part. Finding the one person there who handles licensing is the part nobody can do on their own, and it is the same job whether Resid researched the company or you named the brand yourself.

Contact finder
Every company, one pass
1160 S Ocean BlvdFinding contacts…
01Marlowe Beck ArchitectsArchitect
02Ashcroft Build Co.General contractor
03Calder AtelierInterior designer
04Summit Pine DevelopmentDeveloper
05Alder & Stone LandscapeLandscape
06Vernier MillworkMillwork
That is one property. Your archive is full of them.
Start with the property. Resid finds the companies who worked on it, then an email for each. Where a company publishes no address, you get their contact page, and the pitch still goes out, through their own form.
Product brands
The brand is the easy part
A delivered interior frame, with the products in it identified
Detected from photo3 free, unlimited on Pro
01 02 03
01MarvaneWindows & doorslicensing@marvane.com
02VerranoAppliancespress@verrano.com
03Halden & CoPlumbing & fixturespartners@haldenandco.com
Brand contacts are shared. Once any photographer finds one, it is instant and free for everyone after.
You already know what is in the room. Type the brands and Resid finds the licensing contact at each company, or let Resid read them straight off the photo. Your first three scans are free on any plan, unlimited on Pro.
Sightings

Your work is already out there

You see it constantly. A builder’s post, an agent’s just-sold carousel, a brand’s page using the frame you delivered. Paste the link. Resid logs the sighting, prices exactly what they used on the same engine that prices a quote, and drafts the pitch speaking from the post itself.

✓
Every sighting shows what you sent, whether they replied, and when they opened the pay page. While they are reading it, the row says so, live.
✓
When a nudge goes quiet, Resid drafts an Instagram DM and a text instead of the same email again.
✓
The license covers the time the work was already up, so paying it settles the past as well as the future. On every plan.
A logged sighting on the Resid ledger: two emails sent, the client on the pay page now, and the next move offered as a DM or a text.
Pre-shoot syndication

Sell the shoot before you shoot it

Best on new-construction projects, where a developer, builder, architect, and interior designer all had a hand in the property and all want images of it. Invite them to license the shoot before it happens. They split one cost, so each license runs a fraction of buying in alone, and you walk in with the shoot already sold. One property becomes multiple licenses, not one.

✓
The shoot is sold before you press the shutter: partners reserve their share at a shared rate, and each license is invoiced with the finished files.
✓
Splitting one shoot makes each license cheaper, so more vendors say yes
✓
Works for photo and film, and carries your studio branding on the Pro plan
Pre-shoot · Ocean Ridge Estate
One shoot, multiple licenses
Collecting
Marlowe & Beck Architects$900Committed
Ocean Ridge Builders$1,200Committed
Studio Vero Interiors$900Viewed
Harbor Point Development$1,000Invited
$2,100 of $4,000 committed before the shoot
Property photo with buyer branding
Gradient: bottom Export
Client galleries

One gallery, every selection

Host the shoot on Resid and send one link, photographs and film together. Clients select what they want and it comes straight back to you, ready to price and license. Brand each gallery's cover with the buyer's own logo, so the pitch looks like it was made just for them.

✓
Clients select what they want; their selection lands back with you
✓
A branded cover per company, their logo over your work
✓
Film plays in the gallery, every cut of it. Clients note the exact second, and you see who watched and how far they got.
✓
Downloads stay off until you license, and on Pro the gallery carries your brand and can open on galleries.yourstudio.com
Unattended

It runs when you don’t

You are out shooting, editing, or driving to the next property. Most of what Resid does happens on the days you never open it.

Day 4, then day 10
If you switch it on, a quiet nudge goes out on the same thread, and stops the moment they pay, or when you mark that they replied.
The first time they open the pay page
An email lands with you and a card goes on your bell. While they are still reading it, you can see them there.
The second they pay
Their files release, the license agreement writes itself with its own reference number, Resid emails them a client portal for the licenses they hold with you, and the money is on its way to your account.
Before the term ends
The renewal offer is drafted thirty days out and again at seven. Switch on Auto renew reminders and it sends itself; otherwise it waits in your Outbox for one click.
Once, for everyone
A brand’s licensing contact found by any photographer is instant and free for the next one who needs it.

Your archive is an asset

Set up your first property in minutes and see what a single shoot is really worth.

No card. Your first month of Pro is free.