Your archive is an asset. One property has many buyers, and each is a licence you can sell. Resid finds them, prices each one on real licensing data, writes the agreement and collects.
One property. Every company attached to it. Priced, licensed, paid.
Everyone who designed, built, and sold a property has a reason to license your photos and film of it. But collecting on that means hunting down the right contacts, writing email after email by hand, and guessing what to charge every time. So most of it never happens.
Resid. does all of it, from one shoot.
Pick the media, who you are licensing to, and the property tier. Resid recommends a fee built from real licensing data across the industry's top photographers and agencies, for stills and film alike, so every number is defensible and you never leave money on the table. It works in any market, at any price point, not just luxury.
Knowing the company is the easy part. Finding the one person there who handles licensing is the part nobody can do on their own, and it is the same job whether Resid researched the company or you named the brand yourself.
Best on new-construction projects, where a developer, builder, architect, and interior designer all had a hand in the property and all want images of it. Invite them to license the shoot before it happens. They split one cost, so each license runs a fraction of buying in alone, and you walk in with the shoot already sold. One property becomes multiple licenses, not one.
Host the shoot on Resid and send one link, photographs and film together. Clients select what they want and it comes straight back to you, ready to price and license. Brand each gallery's cover with the buyer's own logo, so the pitch looks like it was made just for them.
You are out shooting, editing, or driving to the next property. Most of what Resid does happens on the days you never open it.
I am an architectural and luxury real estate photographer based in Palm Beach. I have photographed over $8 billion in real estate for some of the top builders, architects, and agents in the country.
Somewhere along the way I realized the shoots I had already delivered were worth far more than the one fee I charged for them. The same images the developer paid for, the architect wanted, and so did the builder. So I started licensing my archive by hand. It worked, and it added real money every year, but it took hours of tracking down who to contact, guessing what to charge, and chasing every reply.
I kept wishing something would just do it for me. Nothing did, so I built it. Resid is the system I use on my own work every week, and now it is yours.
Every plan includes the whole licensing product, photo and film alike, plus client galleries and pre-shoot syndication. The biggest difference is your share. Basic and Pro add unlimited look-ups; Pro also puts your brand on every client-facing page in place of the Resid mark, plus brand detection from a photo and advanced analytics.
Set up your first property in minutes and see what a single shoot is really worth.